Archive for May, 2015
As I’ve mentioned in past weeks, we have quite a few sequences in this episode that take a lot of preparation for very little final screen time. Which is fine. They’ve been turning out great and the preparation we put into each set-up really sells each scene. But they require a lot of running around collecting things and I never feel like I’m actually getting anything done.
For me, working on VFX, editing, sound, music, or color correction feels like progress. Then, I feel like I’m actually landing puzzle pieces in place. Instead, tonight I’m taking two dudes down to a costume shop in the city for a costume fitting. Both these guys are doing me a favor playing non-speaking roles on Saturday afternoon, and this is the first time in the show I’ve had to full on rent costumes. We’ve had Carlyn fabricate a few costumes and we’ve done tons of thrift shop costume assembly over the years, but now we’re heading into costume rental territory.
When I’m done with that, I should either take apart an old computer tower to grab some parts from inside as props for Saturday; work on delivering materials to IndieFlix, who is adding PoPS to their stable of content; or work on completing a 15-second VFX shot that I’ve already poured about 5 hours into. Depending on Craig’s schedule though, we might catch a late show of Ex Machina. I’d really like to see it before it’s out of the theaters and I think time is running out. So, you can see how ridiculous I’m still being about wanting to go out to movies when I should be working.
Speaking of Craig, he and Chyna came over last night and we watched about three quarters of the episode. It played better than ever. Craig is always such a great PoPS audience. He’s really into the show and his enthusiasm is completely infectious. He kept saying that it was the best PoPS episode ever, and it really made me want to get this thing done.
And we’re perilously close to doing so. There’s about one minute of screen time left to shoot before we have the entire episode in the hard drive. I know we’re going to do one night of reshoots in our apartment, but after a shoot on Saturday and a shoot on Tuesday night, we have everything we need for a complete rough cut.
Still plugging away.
Thanks for reading.
I’ve been cutting on episode 9 for many, many months now. Last weekend I had the first request from someone to see something. It was Derrick, the guy who plays our main villain, Damon. Out of the blue he just asked if he could see something. So he came over to take a look. It was awesome.
Things that I thought weren’t working worked like a charm. He was so invested in the scenes as they played, even without their proper sound mixing and a complete lack of music.
I was already deep into a “let’s get this thing done” mindset, but that was mostly out of a sense of obligation and a persistent mental pull that starts to happen when I realize I’m nearing the end of the rough cut. But watching him watch it re-lit my passion for the thing. This is a fun episode and it’s time to reel the sucker in.
Then, the actor who plays Precious, Tommy Martin, came out for an hour-long shoot with us, after which we had lunch and watched a large swath of the episode. He seemed more put off by the unfinished nature of the episode, but his reactions also fueled the fire, and cued me in to some subtle pacing issues.
On Tuesday, Carlyn, who plays Sebastian, and her boyfriend, Sean, came over for a night of eating pizza and watching The Lost Boys.
There’s this amazing video edit of the world’s buffest, oiliest saxophone player from The Lost Boys. Someone re-cut it to make it look like Michael is obsessed with him instead of with Star. And here, for all of our amusement, is the video:
–DOUBLE SIDE NOTE—
Apparently they say the word “Michael” more than 180 times in The Lost Boys. There’s one scene where Keifer Sutherland only had two lines of dialogue; the first line he ended by saying “Michael” in a growly, creepy way, and the second line he began by saying “Michael” in a slightly condescending and creepy way. The Lost Boys, man. And watching it on Blu-ray you can see that the dried vampire blood on the Coreys sparkled like glitter in the sun.
Anyway, Carlyn and Sean watched pretty much everything I had edited so far and it was great. It definitely sealed in my mind the pieces that had pacing issues and we talked them out a bit.
Of course, Eliza watched it with everyone as well and it’s always nice to get her read on the episode progress. She settled me down about certain things that I was thinking needed to be reshot.
Last night I buckled down again and edited another big sequence, but then the program froze and kicked me out. I lost about an hour of work, but that’s the first time that’s happened this episode, so I count myself lucky.
We’re heading out of town for Memorial Day weekend, but I’ve got a couple VFX shots on my laptop I can work on while we’re away. Obviously, I‘m going to prioritize having fun with Lize out in the real world and only spend a few hours a day working on stuff, but it’s nice that I’ll still get a little progress in over the weekend.
Thanks for reading.
Before getting into the detriments of friendship, I want to mention how happy I am whenever an ad for a show I love shows up as pre-roll on my YouTube videos. It makes me feel like somehow the algorithms equate our shows, like the audience crosses over. In reality, it probably just means they’re casting the widest possible net, but I don’t care, LET ME HAVE THIS! The last time I loaded up the “We’re Going to Webfest” update, the pre-roll ad was for True Detective season 2. I can’t wait. It just looks so dire and hopeless. I used to get little butterflies in my stomach whenever ads for LOST showed up next to our videos. Ah, the good times, before the LOST finale.
So, we went to a show that our friends were putting on last weekend and as our friend Kat gave us our tickets—and our swag feather’y pens—she said, “You guys have been really great at showing up to stuff lately.” I quickly played back the past few months in my head and thought—Damn it. She’s right. We’ve been really good at supporting our friends’ endeavors lately. Shows, album releases, birthday parties, dinners, movie nights. No wonder we’re so broke all the time. But what the whole thing really boiled down to was one perfectly crystalized panic package. This episode is never going to get finished if I don’t start staying home more.
Take a look at this video update from exactly four years ago. From :55 seconds in to the 2:07 mark is a two-angle time lapse of me sitting in our tiny home office on a weekend and working on episode 5 for 13 hours.
And that’s just a fraction of the time I need to spend if I want to get this doggone thing sewn up. Still, last night, instead of working on VFX for four hours, I worked on VFX for an hour and a half, shot part of a freelance video project, and went to Mad Max: Fury Road with my friend Craig. Tonight, I could prioritize episode 9 and get at least a solid two or three hours of VFX work done. Instead, it’s looking like I’m going to go to the gym and have some dinner before going to celebrate my friend David’s birthday at a bar and a midnight screening of The Room. So…
It’s easier to make a web series if you’re surrounded by a group of dedicated and like-minded friends. But socially engaging with that group of friends doesn’t make it easier to get that episode accomplished in a timely manner.
I hope you guys have a good weekend, and that I have a productive one.
Thanks for reading.